SPANDRILL MAGAZINE - NO. 76.2



Front Page Contents!


A Century of Pseudo-Ethnic Nonsense Verse
Collected by Jervis Tonypandy
(Gilbert & George, Westchesterford, 1923)


Excerpt from Chapter 18: Albania and Greece:


Two Poems by Hervho Axhoqt

Metti-Metti

(i telset; a fresde, umlimlam)

Froler mah yowla-tri Krazgrandran scutz
Pahbrallah, uy ettri schzarla u-: huyner-friy
loip loip
youp youp youp.
Metti-Metti.

Twerse Mollhaps Brertiefrald

(metufilcka metufilcka ra)

, hu -

vressvress! a:biveldelder ellelred membrelder paq
paq. Qwiov poicetro mompetsi-qrate. , hasslaq aq
qaqal, ssa het: arqistep!! Mo mo.
R:te ciopvoiw :Q: qap qap
redl: erbmemderl eLl e:
redled. - Levibas servs
serv.

Uh:

(metafulcka metafulcka rui)

"Elegant Vehicle"
"Metti-Metti" is of course Axhoqt's epigrammatic rejoinder to Stalin's brutal imperative. "Twerse Mollhaps Brertiefrald" is a rare example of a Pseudo-Albanian Nonsense Palindrome in pure form, where the repetition utilises the letters rather than the words. New words are created, many based on nonsense versions of long-extinct Albanian valley dialects. Embodying Axhoqt's elusive genius in an awe-inspiring tour-de-force of expression, it is an elegant vehicle for his vision of the Cosmos as "a donkey's eyelash away from perfection". The parenthetic wrap-around phrases, just failing to achieve true repetition, image the tension and strife inherent in Axhoqt's universe as they form their "insubstantial boundaries" to the whole. Quentin Flask


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Copyright © 2007 Neil Scott